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News, releases and stories

Latest music, Masterlink Sessions notes, tour updates and project stories from Redtenbacher's Funkestra.

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Stories and updates

Lenny Pickett solo from ‘The Cooker’ transcribed by Nick Blechar

Lenny Pickett solo from ‘The Cooker’ transcribed by Nick Blechar

“The saxophone lives in a strange world. It’s neither fish nor fowl. Not brass yet not quite a woodwind. The saxophone has never been fully embraced by classical music or by the classical orchestra and, outside of the jazz world, the saxophone has a poor reputation. This can sometimes seem confining. It is, however, an amazing instrument with huge possibilities that have only been partially explored.” (Lenny Pickett) Let’s talk about motivic development. But first, let’s talk about Stefan Redtenbacher. And then Lenny Pickett. We have much to discuss… Plus a solo transcription!

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‘Concubine Chronicles’ bass charts and synced audio FREE on the in-app store of the KR Player for iPad

‘Concubine Chronicles’ bass charts and synced audio FREE on the in-app store of the KR Player for iPad

All the charts for the ‘Concubine Chronicles’ album – full score, tenor sax, guitar, Hammond B3, bass and drums chart were typeset by Phil Knight using the Reprise font he developed himself for Sibelius. The Bass charts are beautifully engraved and are very easy to follow. Download the free KR Player for iPad and get 8 FREE bass charts and syncing minus bass tracks.

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‘Kottan’ and his influence on Austrian Jazz Funk Bassist

‘Kottan’ and his influence on Austrian Jazz Funk Bassist

‘Kottan Ermittelt’ is an Austrian cult TV episodes that run from the late 70s to the early 80s. The Austrian broadcaster ORF produced 19 series before it came off air. ‘Kottan’ is a detective for the Viennese police force and is surrounded by a team of very eccentric colleagues and police chief. As the series went on the lead role was changed three times and the episodes became more and more whacky as time went on.

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My ‘in session’ cyber band

My ‘in session’ cyber band

A while ago Nick wells, editor and owner of the excellent ibass magazine asked me to contribute to the tutorial section. This is when I came up with the ‘in session’ idea – bassists can play along to high quality original tunes played by real musicians. Each tune has a different focus – topics like time keeping, groove playing, improvisation, sound, technique, bass line creation, fills, etc. are all on my educational agenda with a view to enhance the vast skill set a bassist needs to do successfully play ‘sessions’ and in the broader sense to improve their musicianship.

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